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Pt. Laxman Bhatt Tailang

He was born in Jaipur on 24 December, 1928, in the famous Bhatt family' of musicians. A permanent resident of Jaipur, he is the only representative of the Dhruvapada tradition of Rajasthan and therefore stands out as a historical figure. A post graduate in music (vocal) from Madhav Sangeet Mahavidyalaya, Gwalior, he inherited this art from an illustrious family of dedicated musicians. He carried this inborn capacity to perfection by learning under the auspices of some of the legendary figures of the Indian classical music. Grandfather Late Pt. Gopalji Bhatt and father Late Pt. Gokulji Bhatt were saint singers of Dhruvapada Sankirtana.' Later on he went through intensive training of Dhruvapad and Khayal under Raja -Bhaiya Punchwale of Gwalior Gharana, of Dhruvapada under the renowned Dagar brothers, Late Ustad Naseer Moinuddeen and Late Ustad Naseer Aminudeen. He also learnt hawaj from Purushottam Dasji Nathdwara Wale and received `Gandabandh' (an old traditional way) training of `Rudra-Veena' from Late Ustad Hafij Ali Khan. Gifted with extraordinary flair, lie is an excellent singer of Dhruvapad, Khayal and Sugam Sangeet, an adept in playing different musical instruments; like Sitar, Jaltarang, Flute, Violin etc. skillful writer, music teacher, composer and Director and an overall musician and therefore quite an authority in various branches of music. He has left ineffaceable impression excellent impressive scholarly of his singing in the foremost music functions like Swami Haridas Sangeet Samaroh and Tansen Sangeet Samaroha etc. and more than four five hundreds reputed festivals during your seventy years Music career. He taught music for 45 years in Vanasthali Vidyapeeth. Among the hundreds of students trained by him many are highly competent singers in T.V., Radio and stage programs and some are teachers at school, college and university level. He has instructed several foreign students also. Many compositions of Vrinda-Gayan (chorus) and Vrinda-Vadan (orchestra) taught by him have been highly appreciated.

From 1956 to 1958 he sang and played various musical instruments in Bhartiya Kala Kendra, New Delhi. He played Sitar in puppet show, violin in several bales directed by Birju Maharaj and sang in `Begam Jaidi' and 'Shakuntla' plays directed by Dr Nirmala Joshi, the secretary of Delhi Sancfeet Natal: Academy and a baile dance of 'Rambla' organized by Fine Arts Society of New Delhi. He also directed musical side of the plays `Kunal' directed by Dr. Sudhindra of Vanasthali Vidyapeeth and `Deewar' written by Prithvi Raj Kapoor and directed by Prem Chand Vijayvargiya (Principal).

Several scholarly lectures delivered by him in various seminars in the country have left indelible mark of his deep insight into music. His erudite and contemporary articles have been appearing in several magazines and papers of the country for about 70 years. He has been a member of the advisory committees of Board of Secondary Education, Ajmer, Madhyamik Shiksha Pathyakrama, Vanasthali, Uttar Madhya Sanskritik Kendra, Allahabad, Rajasthan Sangeet Natak Academy and Ustad Allaudeen Khan Sangeet Academy and also an examiner of students in Dhruvapad Kendra, Bhopal and many National Bodies.

He has been awarded several honours for his momentous contribution to Indian Music. Some notable awards are: 'Sangeet Varidhi', 'Tulsi Purshkar', 'Shrestha Guru Award', 'Rajasthan Sangeet Natak Academy Award', 'Dagar Gharana Award of Maharana Mewar Foundation, Udaipur', 'Swati Tirunnal Purshkar of Maharaja Vidya Mandir Trust, Varanasi', 'Shrestha Rachanakar Award', 'Journalist Shri Gopal Purohit Award', 'Sangeet-Ratnakar and Sawai Ishwari Singh Award by Maharana Brigadier Bhawani Singhji of Jaipur, 'Dhruvapad-Kaustubh', 'Sangeet-Ratna' and 'Swara-Ratna' etc. Besides this he has been honoured by the Chief Minister of Rajasthan under 'Jaipur Samaroha Samiti' and by the Governor of Rajasthan in City Palace and Recently in 2013, got 'Shrestha Kala Acharya' Award given by Nationally reputed Institutions Madhuban and 'Abhinavkala Parishad' Bhopal by Cultural Advisor of Ex-Chief Minister Shri Ashok Gehlot in Jaipur.

He is the founder of two organizations, 'Rasmanjari Sangeetopasana Kendra' and International Dhruvapad Dham Trust in Jaipur. These organizations impart the art of music, in traditional way, to students from the country and abroad and have also been organizing 'Akhil Bhartiya Sangeet Samaroha' and 19 All India 'Dhruvapad Samaroha' for the last 19 years and more than hundred Dhruvpad and Classical Music Aducational Training workshops in Jaipur.

About his Vocality

Rendering Nomtom Alaap Composition and Improvisation of Layakaries in his Dhruvpad singing has a distinctive blend of the traditional peculiarity of his Gharna as well as his own creativity. His classical singing comprises, appropriate to Dhruvapad, serene, deep, swift, sweet, noble and candid voice with pure and precise use of 'Swara', in which 'Shrutis' are applied with great dexterity. He stresses emotional and spontaneous use of 'Swara' and favours its erection (production) from the navel and heart. His singing embraces creations of outstanding traditional authors as well as his own compositions in Braj, Avadhi and Sanskrit and unusual Bangla languages etc. He performs with great proficiency the voice culture of open and melodious use of words according to the 'Bhava', 'Rasa' and 'Prakriti' (nature) of the Raga. His singing displays circulatory and subtle use of deep 'Gamaks' Hunkaar, 'Hudak' and 'Tans'. His two CD named Guru Naman and 'Dhruvpad Rasmanjari' are incorporates different pieces of his singing from various private recordings so it exhibits spontaneity and originality and is devoid of any artificiality. Being free from artificiality, which is often used for recording, it will present music in its purest form; free and ingenuous.

About his creations and Innovations in Details

Such artists are rare, who has multi dimensioned qualifications to be master of any Art form, Pt. Laxman Bhatt is the one of among them, who is excellent singer of Dhruvpad, Dhamar, Khyal, Semi classical and lighter forms of Indian Music Singing, Besides singing he is scholar of practical demonstrator of some instruments like Sitar, Voilin, Rudra Veena, Jal Tarang, flute, havaj etc. He is also an excellent writer, composer and music director of more than five hundreds Music compositions of Indian classical, semi classical and light Music like Dhruvpad, Dhamar, Khyal, Tarana, Trivat, Chaturang, Bhajans, Childrens songs, geets, ragmalas etc. He is well known for his innovative creations like self imagined new ragas like Mevadadarbari, yogeshwsari, kedar kalyanm, Audav Kalyan and Harikaunse etc. Composed some compositions in rare ragas, composed poetries written by popular and unpopular poets and he exposed to some rare poetries, which is not being seen today. Like written by Ashtchaap, Swami Haridas, Baju, Bakhshu, Gopal Naik, Tansen etc. He also did his rare attempt to compose some newly lyrics of poets in Dhruvpad which is not being usually seen in Dhruvpad like Vivekananda, Nirala, Meera and lyric of Ravindranath Tagore in Bangla language. He deeply worked as a researcher in music field.

He reformed to chaturang gayki through his own way into self imagined Gayaki named 'Pachrang' was prepared including folk or semi classical or lighter singing forms along with four parts of Chaturang as Bandish Bol, Sargam, Tarana and havaj or Tabla Bols. His some notable creation like Balgeet or children geet created by same word or same notes (Swar) are highly appreciated by music lovers and scholars. His Asht prahar (Eight times) ragas special recordings prepared by 'Maharshi Gandharay' for Music Therapy.

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